Exclusive Look: Partner Elise Prudhomme’s New Photography Exhibition

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Exclusive Look: Partner Elise Prudhomme's New Photography Exhibition at Château des Ravalet, Normandy, France.
This fairy tale French Château is home of Three Feathers Partner Elise Prudhomme’s new photograpy exhibition

Exclusive Look: Three Feathers Partner Elise Prudhomme’s New Photography Exhibition at Château des Ravalet, Cotentin, France

Before heading to Oregon for her biannual visit, Three Feather partner Elise Prudhomme is exhibiting a new body of photographic work entitled Coast-in-tint, Portrait of a Landscape.

The City of Cherbourg gave her the freedom of choice with regards to subject matter and exhibition venue. Elise chose to exhibit her landscapes of the North Cotentin at the celebrated Château des Ravalet in Cherbourg-en-Cotentin, France. This beautifully proportioned castle boasts a botanical garden, greenhouse and arboretum that bear the French label of excellence “Jardin Remarquable”, or Remarkable Garden. It is particularly poignant that Elise’s exhibition be shown here, as Remarkable Gardens are a favorite theme of hers.

Elise Prudhomme (right) with the Mayor of Cherbourg-en-Cotentin, Madame Catherine Gentile (left)
Elise Prudhomme (right) with the Mayor of Cherbourg-en-Cotentin, Madame Catherine Gentile (left)

This unique exhibition offers a new look at the landscapes of North Cotentin.

The exhibition “Coast-in-tint | Portrait of a Landscape” at the Château des Ravalet, brings together the photographic works of Élise Prudhomme. It presents around fifty prints from artisanal methods to illustrate the multiple facets of the landscapes of North Cotentin. Noble metals (gold, silver, palladium) give varied tones to the images – sepia, Prussian blue, deep warm black – which complement handmade color prints in order to highlight a “new picturesque”.

Aeonium arboreum, Ile Tatihou, 2020 - Platinotype on Bergger 320 © Elise Prudhomme
Aeonium arboreum, Ile Tatihou, 2020 – Platinotype on Bergger 320 © Elise Prudhomme

How to photograph the quest for exoticism and renewal that characterizes this stretch of coastline?

The results of the technical prowess of a few passionate scholars in the adaptation of numerous plant species from diverse biotopes, such as that of the Canary Islands, have spread to gardens and coastal areas where they consume the landscape with appetite. They offer a new aesthetic in these places preserved from urbanization and rub shoulders with artifacts from the Second World War and Neolithic remains.

Alley of tree echiums from the Canaries (Echium pininana), Ile Tatihou, Cotentin-en-Cherbourg, France © Elise Prudhomme
Alley of tree echiums from the Canaries (Echium pininana), Ile Tatihou, Cotentin-en-Cherbourg, France © Elise Prudhomme

However, there is a resilience of nature which allows an attractive continuity of the landscape. The granite and monolithic coastal strip is an impassable border where man cannot leave his mark. Both a vector of transformation and a protected target, the Cotentin coastline still remains desirable.

Dunes of Montmartin, Montmartin-sur-Mer, Cotentin, France - quad-chrome gum on Bergger COT 320 © Elise Prudhomme
Dunes of Montmartin, Montmartin-sur-Mer, Cotentin, France – quad-chrome gum on Bergger COT 320 © Elise Prudhomme

Elise has been working with alternative photographic printing processes for several years now, including cyanotype, kallitype and platinotype. She is currently working with a four-color printing process in a wet darkroom which involves multiple layers of color suspended in gum arabic on watercolor paper. An example of this quad-chrome printing process is shown below.

Put in the abyss, Château des Ravalet, Cherbourg-en-Cotentin, France - gum over platium-palladium © Elise Prudhomme
Put in the abyss, Château des Ravalet, Cherbourg-en-Cotentin, France – gum over platium-palladium © Elise Prudhomme

Elise explores Historic Photographic Processes with a Modern Vision

From documenting natural and artificial landscapes to exploring ideas of place, Elise Prudhomme’s work focuses on our evolving relationship with the environment. The themes of territory, human intervention and transformation guide her in the search for unpredictable and intriguing scenes, bordering on the iconic.

The Shire, Fermanville, Cotentin, 2020 - quad-chrome gum on Bergger COT 320 © Elise Prudhomme
The Shire, Fermanville, Cotentin, 2020 – quad-chrome gum on Bergger COT 320 © Elise Prudhomme

Using large format film cameras, chamber and pinhole, she creates unique visual pieces like her panoramic photographs, whose multiple points of view anchor the emotions felt in the memory. The spirit of the place takes precedence over visual perception, evoking encounters, events experienced, and the lights that compose it.

Chemin des douaniers, Fermanville, Cotentin © Elise Prudhomme
Chemin des douaniers, Fermanville, Cotentin © Elise Prudhomme

It is in her photographic laboratory that Elise Prudhomme highlights these landscapes and experiments with ancient processes which, like the efforts of botanists, are the fruit of a long continuum of learning.

Elise Prudhomme working on quad-chrome prints in her laboratory.
Elise Prudhomme working on quad-chrome prints in her laboratory.
Coast-in-tint, Portrait of a Landscape - Exhibition Views at the Château des Ravalet, Cherbourg-en-Cotentin, France.
Exhibition view of Coast-in-tint, Portrait of a Landscape at Château des Ravalet, Cherbourg-en-Cotentin, France.

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